Submission to Select Committee Consultation on Public Parks – September 2016

Public Parks Submission Sep 2016

Fiona’s Late Summer Blog 2016

2016 Fiona's Late Summer Blog

Although it is now September and we have had a lot of heavy rain recently, there are still plenty of colourful late summer herbaceous borders to appreciate, including in our local parks. Whether or not you are a frequent visitor, public parks are for many the most local and easily accessible form of designed landscape. The challenges they face and the importance of protecting them is highlighted by The Communities and Local Government Select Committee’s intention to focus on the impact of reduced local authority budgets on parks and consider concerns that their existence is under threat.
The consultation offers the opportunity to make a written submission on the following issues:
• Who uses parks and open spaces, how often and for what
• The contribution of parks to the health and well-being of communities
• The impact of reductions in local authority budgets on parks
• What the administrative status of parks should be in light of declining local authority resources for non-statutory services
• How new and existing parks can best be supported
• What additional or alternative funding is available and what scope is there for local authorities to generate revenue from park users
• What the advantages and disadvantages are of other management models, such as privatisation, outsourcing or mutualisation.

BGT was initially alerted to this consultation by the Reading Civic Society, who have contacted their national body, Civic Voice to ensure that others are aware and can respond appropriately. Our own new umbrella organisation, The Gardens Trust (formed in July 2015 by the merger of The Garden History Society and The Association of Gardens Trusts), is also using this important issue as an opportunity for a campaign to raise the profile and importance of designed landscapes as civic amenities and in terms of the economic and social benefits which they bring. David Lambert, who raised the plight of public parks in the 1990s and is now one of TGT’s Trustees is looking at this with Dr Katy Layton-Jones who is updating previous research carried out by the Parks Agency.
Berkshire Gardens Trust is keeping in touch with TGT on this matter, so please let us have any thoughts you may have on the issues listed above. For example, you may have views on initiatives such as the use of public parks for entertainment which, while undoubtedly raising awareness and revenues, can be challenging to manage given the huge numbers which attend events at such venues.
The Select Committee is also keen to encourage as many people as possible to contribute to the inquiry. If you wish to contribute to the inquiry as an individual, you can do so via an online survey at
http://www.smartsurvey.co.uk/s/HO3PU/. The deadline is 30th September 2016. Further information is available via http://www.parliament.uk/business/committees/committees-a-z/commons-select/communities-and-local-government-committee/inquiries/parliament-2 015/public-parks.

FIONA’S SPRING BLOG, 2016

At a time when gardens are becoming a riot of spring colour, it seems appropriate to focus on the recent Painting the Modern Garden, from Monet to Matisse exhibition at the Royal Academy (RA), which I was lucky enough to visit twice. With over 250 exhibits and all around there was much debate about both gardening and painting techniques. Quite fitting, given that subsequently Gertrude Jekyll, one of Britain’s best known garden designers, started her working life as a painter, so was familiar with an artist’s palette of colours.
The paintings exhibited at the RA included garden settings from patios to public parks and reflected the Impressionist and other painting styles, as well as the trend to travel to experience different light and gardening climates or locations. As well as their paintings including the painter’s families, such as Pissarro’s children on the steps amidst towering sunflowers, letters exchanged between painters testify that there seem to have been a lot of friendships, competition, one-upmanship and different preferences and ‘showing off’ between artists, those who had the latest plants or styles and the subjects or garden owners themselves. As they say, ‘there is nothing new under the sun’. For example: Pissarro, the ‘cabbage painter’, asked Monet his advice about planting. One of Monet’s garden paintings with profusely coloured dahlias make his garden seem rural but its urban setting is emphasised by Renoir, while Pissarro’s spring plum tree display is trumped by Monet, who painted a small orchard of them! Caillebotte’s brand new, huge oval-roofed greenhouse dominates one of his garden paintings and Sordla’s richly coloured painting shows his client, Louis Comfort Tiffany in his Long Island garden. Monet gardened enthusiastically at rented properties before settling at Giverny, where he eventually managed to extend the garden by buying up an old railway line and getting permission to divert and enlarge the river running through the land beyond. Finally, while Monet’s fascination with light and texture on his lily pond is well known, he also painted chrysanthemums and lilies, illustrating the latest varieties he had acquired.
Most of those I know who also saw the exhibition agreed with me that it was a very interesting collection of paintings, some of which, at least ‘in the flesh’, were new to us. Highlights for one self-confessed Singer Sargent groupie included his sensitive painting Lily, Lily, Rose of the two Vickers children with a watering can. I too loved this very simply composed picture, beautifully executed with wonderful creamy whites predominating. Others particularly enjoyed the Klee, Klimt and Kandinsky and, like myself, were stunned by Santiago Rusinol’s gardens, which conveyed a wonderfully evocative atmosphere through colours, possibly influenced as much by the effects of distantly exploding shells than a mere sunset. Nonetheless, some visitors obviously preferred the more delicate Scandinavian palette, so hopefully they also enjoyed the recent Dulwich Picture Gallery’s recent exhibition, Painting Norway: Nikolai Astrup, which also contained some illustrations of blossom and gardens in the north of Europe.
In conclusion, while visitor opinion varied about the use of display lanterns and cold frames (sadly they did not contain real plants), there were certainly some wonderful examples of colourful gardens and contemporary horticultural literature. I also agree totally with William H. Robinson’s closing remark in his introduction chapter within the catalogue that “… By framing these paintings in the context of broad artistic movements, as well as social and political events, the exhibition seeks to provide a deeper understanding of how gardens served as a universal, multifaceted source of inspiration for artists of the modern era”.
An inspiration for the 21st century gardener (and artist) indeed!
May 2016

FIONA’S BLOG, WINTER 2015

FIONA’S WINTER BLOG, December 2015

 

Having just returned from a trip to Australia, I am particularly aware of how the seasons and different weather can influence both landscape and gardens. Wandering round botanic gardens and forests in Brisbane, Darwin and Alice Springs was a transition from the sub-tropical to a tropical and then arid climate as summer – or the wet season as far as Darwin is concerned – get under way across eastern Australia. It was quite a novelty (and very draining) to be able to be able to appreciate such vast landscapes and look at bright blue sky through the bare branches wearing summer clothes and to be very thirsty rather than cold or wet!.

Olive Pink Botanic Garden, Alice Springs

At one stage, I overheard an American visitor comment that there was not much to look at when visiting the Olive Pink Botanic Garden on the outskirts of Alice Springs in the Northern Territory. While I understand that for many people gardens are synonymous with flowering trees, shrubs and other plants, I hope that one day the gentleman concerned may ponder more on the amazing tenacity and artistic nature of these plants and also the inhospitable rocky desert terrains within which they survive. The picture above is an attempt to capture the delicate textures and shapes of some native trees, amidst which the metallic artwork or plant climber looks somewhat incongruous, grouped together at the same botanic gardens.

 

During a subsequent visit to the lands of an aborigine family we saw how even more artistic nature can be in its raw state. It was also interesting to be able to see in situ the sorts of plants which sustained the aboriginal, animal and birds populations for thousands of years. The ‘widgety grubs’ (as featured in the reality show I’m a Celebrity, get me out of here!) are found among the roots of one the denser shrubs. Other plants cater for practical needs from baskets and walking sticks to medicines, as well as musical instruments, hunting weapons range from the infamous ‘boomerang’, designed to flush out the prey to more complex weapons and are harvested to create a sustainable balance between nature and mankind.

Aborigine estate south of Alice Springs

Finally, it is worth noting how the botanic collections and garden designs throughout Australia are now evolving. For example, alongside literature encouraging visits to ‘historic gardens’ created by European settlers a hundred or more years ago, ‘native planting’ is being embraced with new gardens being created to celebrate the continent’s rich horticultural heritage and landscapes while recognising the need to maintain a diversity of habits and landscapes which will hopefully also help sustain wildlife and reflect climatic conditions. On this note, I look forward to a New Year seminar at which the English National Trust speaker will be assessing the heritage significance of plants in cultivation in botanic and historic gardens[i].



[i] The  seminar is part of a early evening series on Plant Introductions and perspectives on their importance and survival run by at the Institute of Historical Research the University of London’s School of Advanced Study. More information is available at http://www.history.ac.uk/events/seminars/121 or email gardenhistory@sas.ac.uk.

Fiona’s Spring Blog 2015

FIONA’S SPRING BLOG, 2015

I have always been a strong supporter of sculpture , as well as other ’3-dimensional’ designs and plants . My trip to Brazil earlier this year provided opportunities to appreciate such features in parks and gardens as well as urban settings.

One particular destination, INHOTIM, west of Belo Horizonte, Brazil’s 3rd largest city, incorporated both modern ‘free-standing’ sculpture outside amongst a vast range of trees, plants and shrubs, including outstanding examples of 3-d succulents.

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Influenced by the native bias of Burle Marx’s planting schemes for both public and private landscapes, this venue succeeds in marrying together natural and man-made designs in a relaxed setting, reminding me of the recent Henry Moore exhibition at Kew designed landscape. I was also struck by various geometric and more organic designs incorporated into tessellated pavements in cities and towns.

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With Best Wishes for Happy Garden Visiting this Summer wherever you go!

 

 

 

Fiona’s Autumn/Winter Blog (December 2014)

FIONA’S AUTUMN/WINTER BLOG (December 2014)

As I type, winter is upon us and it is hard to think that it was only 3 months ago when those attending the AGM and Weekend Conference of the Association of Gardens Trust (AGT) were bathed in sunshine. The AGT weekend included visits to Port Sunlight, Thornton Manor and Burton Manor, all designed garden landscapes originally created for major industrialists as well as the long-established gardens at Cholmondeley Castle and Arley Hall, both seats of two historic Cheshire families. In these days of competing attractions and increased leisure time, they all operate in different ways to survive as we heard from a combination of the various estate owners, managers and head gardeners.

Arley's Walled Garden

Arley’s Walled Garden

 

The theme of survival also featured in the ‘business part’ of the weekend, especially concerning the proposed merger with the Garden History Society (GHS).In addition to my role within the Berkshire Gardens Trust, I have now been elected onto the AGT’s Council of Management and am a member of the Merger Transitional Committee considering the way forward on this, I am only too well aware of the 21st century challenges facing the world of garden history. In my view, if we wish to help conserve and enhance the varied parks and gardens which we all enjoy visiting and developing, then we need to be a vibrant body in touch with government and other relevant initiatives to ensure we get all the help we can in terms of political and public support, including funding and the chance to be heard.

Of course there are issues trying to combine two very different organisations and it is hard to keep up with some of the complexities. However, I hope that we will be able to put differences aside and take the best of what each can offer for the sake of ‘the greater good’. The Merger Transitional Committee has set up a website to help with the essential communication process (www.agt-ghstogether.org) and various matters will continue to be discussed at meetings involving the County Gardens Trusts as we go into 2015. Certainly the recent planning applications which I have been involved with in Berkshire illustrate all too clearly the need for a united ‘team effort’ from those who know about the history and care about the setting and features of our key designed landscapes, so that those deciding on such matters can take these into account as well as commercial imperatives. Here’s hoping we succeed so that all can ultimately benefit from our informed enthusiasm.

Fiona Hope, BGT Secretary

Chairman’s Blog October 2014

Herbaceous border at Howick Hall

Our AGM and Autumn Lecture were on the 3rd October. Full Reports from the Treasurer and from me are on the website, and show a satisfactory financial position and report the projects currently in hand. We then had a lecture by Hal Moggeridge who is a respected and outstanding Landscape Designer with responsibility for the Welsh Botanic Gardens and the refurbishment of the garden at Blenheim Palace, among many other achievements. We are lucky to attract speakers of his calibre.
This really marked the end of summer, and is a time to look back on our success and failures in the garden this year. It is also an opportunity to reflect on the gardens we have visited. I was fortunate to be able to go to Northumberland where I visited the birthplace of Capability Brown and saw the Church where he was baptised and the school he attended in Cambo. Lots of work going on there in preparation for the visitors expected in 2016. We also visited the Garden at Alnwick, which is spectacular in its Grand Cascade, educative in the water features of the serpent garden and stunning in the ornamental garden, with its wealth of unusual as well as more common herbaceous plants.
I preferred the more relaxed atmosphere of Howick Hall near Craster (pictured above). The home of Earl Grey of tea fame, it is still occupied in part by the Howick family. Lady Howick’s private garden which was also open is stunning. The whole garden and grounds give an impression of permanence and with specific areas like the woodland garden make an enjoyable afternoon.
Planting a sapling in the GalapagosLater we visited the Galapagos Islands, hardly a garden in the European sense but with its own unique plants as well the birds and animals. Conservation is taken seriously and invasive introduced species have been removed to be replaced by native trees. We were taken to the site of cleared undergrowth to plant new native trees there. Good to see how the islanders are caring for their unique habitat.

Keep a watch out for our programme for next year. We will be having a Speaker in March and the AGM and Speaker will be in October. We plan to hold our Meetings on a Thursday in the light on concern expressed about the problems on the M4 on a Friday night. We hope to meet in Shaw House Newbury in March and at Purley Barn in October. We are also putting plans together for garden visits next summer.

Charles Elly

Fiona’s Summer Blog

FIONA’S SUMMER BLOG, 2014 

There has been plenty of opportunity  this summer weather to admire our local parks and gardens. My recent trip to Cardiff for the recent Garden History Society (GHS) AGM & Conference. certanly included visits filled with exuberant, colourful herbaceous borders  as well as welcome, textured, shady shrubs and trees

Before mentioning some of the lovely sites we went to, a few words about the more formal part of the weekend. In particular,  the AGM debated the proposed merger between the GHS and the Association of Gardens Trusts (AGT). Although many GHS members also belong to their County Gardens Trust (CGT), we were all there as individual GHS members. There are obviously several legal and financial issues to still be resolved as well as ensuring that both organisations can continue to focus on different aspects of garden heritage while maximising their combined impact on government policies. It was also good to hear first-hand the genuine commitment from all who spoke to go on sharing expertise and exchanging information with the CGTs. A lot of emphasis was also placed on the need to continue the work of Verena McCaig and Linden Groves training members of the CGTs through help with developing expertise, in particular research activities and planning application responses.

The informal part of the AGT event started with a chronological resume of the wide range of historic designed parks and gardens in the Cardiff and South Glamorgan area by Liz Whittle, President of the Welsh Historic Parks & Gardens Trust and a former Inspector of Historic Parks and Gardens for the Welsh Government. Visits around the theme of A Prelude to the Great War then began by paying homage to Capability Brown with a brief look at Bute Castle (Grade 1 on the English Heritage (EH) Register of Parks & Gardens, where the results of  ‘land-moving’ works within the castle walls were impressive. Nearby contrast were Bute Park with remnants of the city dock-bound canal as well as several ‘Champion Trees’ and the ornate Victorian bedding near the War Memorials and Civic Centre.

Outside the city, our first, brief visit was to Craig-y-Parc, a “strongly architectural”  Edwardian Arts & Crafts garden and house with impressive terraces. Grade II* on EH’s Register, it was designed by C.E. Mallows for a local colliery owner and is now used as a residential school by the Scope charity. St. Fagan’s Castle, is better known for its museum which has collected examples of rural architecture from all over Wales. As well as remnants of an Elizabethan garden with several brightly filled ‘compartment’ gardens on the top terraces, there is also a replanted Dutch-influenced formal parterre garden to one side of the house.  Further down, the terraces are supported by impressive stone abutments. At the bottom, the dual Italianate, symmetrical balustrade steps lead down to tranquil, reflective lakes, grass dividing “bridges” and plenty of picnic spots (pictured below)!

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St. Donat’s Castle, Grade 1 on the EH Register still has several intact, original Tudor terraces, one of which has a lovely rose garden similar to that at St. Fagan’s. However, following the American newspaper magnate, William Randolph Hearst’s 1930s acquisition of the castle,  these terraces, which lie below in a hollow between extensive deer parks and woods, then descend to an outdoor pool, beyond which still lie an impressive Cavalry Barracks, a slipway, the beach and the wider Cardiff bay.

Finally, Duffryn, now Dyffryn Gardens, again Grade I on EH’s Register and one of the key Edwardian gardens in Wales, was quite a contrast to the most of others we saw, as it lies more or less on the level. Seriously considered as the site for a National Botanic Gardens of  Wales prior to the Second World War, the gardens were designed by the landscape architect Thomas Mawson for the owner horticulturalist Reginald Cory, a wealthy philanthropist, ship and colliery owner. Dahlias, which Cory loved, feature significantly in the formal parterre immediately beyond the house’s stone terrace, with a centrally placed small ‘canal’  (see below).

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To the west side of the house lie a series of gentle terraces along the higher of which are a varieth of gardens with herbaceous borders, Mediterranean plants and Physic and wild-flower gardens. Below these, a series of themed areas, include a Pompeian garden (inspired by Hadrian’s Villa) and a paved ‘theatrical’ garden with green hedge niches. To the east is a rockery and stumpery with an arboretum beyond. A red-brick ‘mill’ folly, meandering stream and meadows, feature at the garden’s south end.

Next year, the GHS and AGT are having ‘back to back’ AGMs based in Newcastle, when their proposed merger is due to be progressed, with another set of hopefully very pleasurable trips for participants.

Fiona Hope, BGT Executive Secretary

 

Fiona’s Spring Blog 2014

FIONA’S SPRING BLOG, 2014                       

After enjoying the alpine mountain scenery and wild flowers, the richness of the kauri forests, sub-tropical vegetation and the last of the summer bedding displays in the parks inspired by Victorian settlers in New Zealand, I returned to what has been overall glorious, mild spring weather here. Sunshine and mild temperatures have encouraged a veritable display of spring bulbs, shrubs and trees to blossom in our gardens and parks, with plenty of activity in orchards and on allotments too. In addition to this being a lovely time to visit gardens there also quite a lot on television about prominent gardens currently, exploring the historical origins and influences behind their respective styles.
Olympic Park LandscapingIn contrast to such established gardens, it was particularly good to visit the recently opened Queen Elizabeth Olympic Park at the start of its life as a London park. The transformation process continues, with  positive signs that the legacy of the 2012 games is benefiting a wide range of London residents and tourists, as well as being a prime example of  ‘garden history in the making’. It is hard to believe that all of the very new planting and design features will survive the heavy usage the park is already getting. It is however currently well looked after, with plenty of space, even on a busy Easter Holiday weekday, to relax, stroll, play or picnic in.
Throughout the park, a wide variety of materials are used to provide seating, other ‘street furniture’, contemporary sculptures and infrastructure such as bridges across the Bow Back Rivers. Various sports facilities such as the Aquatics Centre (see above),  are also incorporated within the landscape, with terraces and other open areas punctuated by young avenues of trees, shrubs, perennial bedding and lawns. Although the butterfly-friendly planting, rejuvenated ‘naturalised’ habitats, wild flower meadows and copses adjacent to the River Lea will take time to mature into wildlife havens, they already provide an alternative, quieter landscape to the central park and its attractions.


The park’s website mentions a variety of tours as well as several ‘self-guided’ trails with informative leaflets. For example, the Arts Trail features sculptures, ceramics, story plaques and various exhibits incorporated into various pathways, bridges and other infrastructure around the different areas of the park, which covers a site akin to west London’s well-established Hyde Park. An Activity Trail encourages younger participants to explore, draw and think about what they see around them. This will hopefully encourage respect as well as enjoyment for the park’s diverse landscaping A series of outdoor ‘activity rooms’ are also available and differently graded rock-climbing walls, pre-programmed water fountains, abstract ‘cave’ sculptures to explore and a rock garden incorporating rope bridges and sandpits.

The Orbit and Water Fountains

And, while some await excitedly for West Ham’s new stadium, a highlight for me was the Arcelormittal Orbit red steel sculpture tower by Anish Kapoor, currently the highest sculpture in London (see above). The tower offers extensive views of the park and its hinterland, a key area during East London’s 19th century industrialisation and now central to its 21st century regeneration.

 

Fiona Hope, BGT Secretary

 

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